Description
Season of Treason (1966)
A press photographer returns to Japan from the war in Vietnam after losing his friend and fellow photographer on the battlefield.
Grand Guignol (1987)
It narrates the trials and tribulations of a company of second-rate actors trying to revive the customs and habits of the grand guignol.
A press photographer returns to Japan from the war in Vietnam after losing his friend and fellow photographer on the battlefield.
The Body Shop (1972)
Don Brandon, a plastic surgeon and mad scientist, loses his wife Anitra in a tragic accident. He and his assistant Igor experiment with re-animation, using hypnosis to create a new Anitra.
Dr. Minx (1975)
A female physician finds no fun in brief affairs. Her luck finally seems to change with her latest lover, but when she learns that he is more interested in her money than her, murder ensues.
The Green Elephant (1999)
Two Russian prisoners are abused mentally and physically.
Mare’s Tail (1968)
It begins with a meditative, vibrating drone in the dark auditorium and ends with a word scratched onto the film strip: REFLECT – an invitation to viewers to think about what they have seen, but also the description of one of the many techniques used by David Larcher in his two-and-a-half-hour experimental film epic. Such dual and multiple meanings are a recurring motif in the film, as is the desire to decipher the foundational structures of cinematic perception. There is a fascination for the psychedelic expansion of consciousness and for the complex web of relationships between experience and memory – the film can be read as both a hippie-esque, elliptical diary film as well as an encyclopaedia of experimental image systems. “Mare’s tail” is the term used in England for elongated, fraying clouds resembling a horse’s tail that herald a coming rain. And just as one must learn to first see this symbol and then interpret it, David Larcher teaches us cinematic seeing in a kind of creation story of visual representation, which is at the same time a section of the director’s own history, bathed in the period colours of late 1960s.
Junior (1985)
K.C. and Jo are two hardened female ex-cons who decide to build a marina on a lake in backwoods Texas to start a life for themselves, only to be hassled by the redneck locals who do not like outsiders, and that the lakeshore is their own regular hangout. But K.C. and Jo’s worst troubles come from Junior, a slow-witted psycho redneck who gets the O.K. from his equally demented mother to kill the two.
Jungle Warriors (1984)
A group of models fly into the jungle of some South American country to look for a photo location. Their plane is shot down and they are captured by a drug baron’s private army. At the same time, the Mafia’s representative arrive to negotiate future collaboration.
