Chaos (2000) Kaosu | (Blu-ray) | Hideo Nakata

$8.99

Presented in 1080p with English subtitles


Title: Chaos (2000)

Alternate Title: Kaosu

Genre: Mystery, Thriller

Plot Synopsis:
A handyman becomes entangled in a kidnapping scheme with the wife of a wealthy businessman. She consents to being tied up and confined in his house while he sends the ransom demand. Upon returning home that night, he discovers her lying dead on the floor. In a panic, he buries her body deep in the woods and attempts to resume his ordinary life. However, he later believes he sees her walking down the street. Is his mind deceiving him, or has she somehow returned?


Cast and Crew:

  • Director: Hideo Nakata
  • Writer: Hisashi Saitō
  • Cast:
    • Masato Hagiwara as Gorō Kuroda
    • Miki Nakatani as Satomi Tsushima
    • Ken Mitsuishi as Takayuki Komiyama
    • Jun Kunimura as Inspector Hamaguchi

YouTube Trailer:
Chaos | Trailer


IMDb Link:
Chaos (2000)


Reviews from Letterboxd:

  1. Rafael “Parker!!” Jovine – ★★★☆☆
    “Before releasing what would become probably his second best known film, Hideo Nakata offers us with an interesting film that at first appears to deal with ‘kidnapping’ and the conflicts between social classes, only to rapidly grow into a plot full of mysteries where you’ll spend your time trying to figure out what is occurring. All of this mystery unfolds at a glacial pace, as is characteristic for the filmmaker, with little or no music, dialogue, and sequences that seem to be encrypted message. The mystery lies on whether the kidnapped wife is indeed dead or there’s something much supernatural happening. That is the source of the mystery. Is this a haunting or a crime? The performances are good, especially from Miki Nakatani, who does a great job at playing this enigmatic woman. The cinematography is also great, with some nice shots and a good use of lighting. The film’s pacing may be a bit slow for some, but it adds to the overall atmosphere and tension. In the end, ‘Chaos’ is a solid thriller that keeps you guessing until the very end.”
  2. Ziglet_mir – ★★★☆☆
    “The number one rule of being a wild card: no one can know what you’re going to do, if you don’t even know what you’re going to do. That’s the catch. That’s the hard sell. That’s the trick of the tail. That also doesn’t qualify something as good by itself. Sure, we rightfully criticize convolution when it rears its ugly head in many erotic thrillers, but sometimes, when you’re just blind from the start, the ride can be truly mesmerizing. With an air synth that ranges from effervescent to brooding, I was captivated by the pull of Chaos’ power struggle. While many of my peers have harkened comparisons to Hitchcock’s Vertigo–they are not unfounded–I found myself thinking more of De Palma’s Body Double, with its layers of deception and voyeuristic tendencies. The film’s structure is a labyrinth, and while it may not be for everyone, I found it to be a compelling experience.”
  3. Graham – ★★★☆☆
    “Chaos is a film that lives up to its title, presenting a narrative that’s as intricate as it is unpredictable. The story unfolds in a non-linear fashion, keeping the audience on their toes as they try to piece together the puzzle. The performances are solid, with Miki Nakatani delivering a standout portrayal of a woman whose motives are as enigmatic as her actions. The cinematography is sleek, and the direction by Hideo Nakata is confident, maintaining tension throughout. However, the film’s complexity can also be its downfall, as it may leave some viewers feeling more perplexed than satisfied. Nonetheless, for those who appreciate a challenging thriller, Chaos offers a rewarding experience.”

Meta Description:
“Chaos” (2000), directed by Hideo Nakata, is a Japanese mystery-thriller that follows a handyman’s entanglement in a kidnapping scheme gone awry, leading to a series of enigmatic and suspenseful events.

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